He is a popular teacher and workshop leader, directs the English Acoustic Collective Summer School and has been a tutor for the National Youth Folklore Troupe of England. He was Musical Director of the Royal Shakespeare Company’s 2013 production of The Winter’s Tale, and he has recently been commissioned to write music for the British Silent Film Festival, the English Folk Dance and Song Society and the Royal Geographical Society. He performs and records with numerous artists including Leveret, Fay Hield and the Hurricane Party, Emma Reid, Jon Boden and the Remnant Kings, Kerr Fagan Harbron and Fieldfare. Rob is a sought-after multi-instrumentalist, composer and producer and one of the country’s leading players of the English concertina. #British dance song sergeant pdfYou can download the Two Folk Dance Sets pack on the PDF tab.Īudio recordings of Rob playing each individual tune slowly, and then each set played at dance speed are available at the audio tab. From Paul McCartney ’s original concept to the final design, staged by British pop artist Peter. And of course the tunes work very well by themselves with no chords. Pepper’s Lonely Hearts Club Band remains the most iconic album cover of all time. Some players would use a lot more relative minors, some would hold drones or pedals, and some would go for a much more jazzy approach. Each tune might be repeated a few times before moving on to the next in the set.Ĭhords have been suggested – but these chords are merely suggestions – most folk musicians would use chords similar to these but different musicians would be likely to change chords in different places. The other set is of jigs, tunes in compound time (6/8, 9/8, 12/8), used for dances such as Circassian Circle. One is a set of reels, tunes in simple time (2/4, 4/4, 2/4), used for dances such as the Dashing White Sergeant. #British dance song sergeant fullAs Attercliffe says, ‘You can't cure the pox by further whoring.’ The only mild hope is that the seed they have planted might ‘start an orchard’.A set of jigs and a set of reels chosen and arranged by Rob Harbron as part of The Full English school project at Hanham High School, South Gloucestershire in 2014.Įach set consists of 3 dance tunes chosen to work well together as a set. However, he is a dangerous idealist, whose ‘logic’ that five times as many English civilians must be killed to avenge the atrocity, is patently misguided. The play advocates the ‘very hard doctrine’ of ‘complete pacifism’: based on an actual atrocity by British soldiers while Arden was on National Service in Cyprus, Musgrave sets out to right a wrong. The effect is that of a dramatized ballad, reinforced by the use of repetition, pseudo-biblical images, dialect turns of phrase, and primary colours (one reason Arden gave for setting the play in the 19th century was to be able to introduce redcoats). Influenced by Brecht and by medieval and Elizabethan theatre, Arden, ‘pleading for the revival of Poetic Drama’, dispensed with individual psychology in favour of a historical setting, colourful action, and songs, and created an artificial dialogue characterized by short sentences, archaic-sounding constructions, and potent monosyllables. Now regarded as one of the finest plays of British post-war theatre, Serjeant Musgrave's Dance was initially unsuccessful. drama in 3 acts S: Northern English mining town, 1879 C: 13m, 2f At the end, only Musgrave and Attercliffe remain in prison awaiting execution.Ī: John Arden Pf: 1959, London Pb: 1960 G: Pol. The dragoons arrive and restore order violently, killing Hurst, and everyone joins in a celebratory dance. Manning a Gatling gun, Musgrave then threatens to kill 25 of the townspeople as a reprisal for the atrocity. At the ‘recruiting’ meeting, Musgrave dances and chants as the skeleton of a youth formerly from the town is hauled aloft. In the night, Sparky is killed in a brawl over Annie, a local girl who offers warmth and compassion to the soldiers. The recruiting meeting will be an opportunity for them to tell the English citizens what is being done in their name. The soldiers lodge at an inn, and Sparky reveals that they have taken part in an atrocity in the colonies. The miners are concerned that the soldiers have come to break the strike, while the Establishment figures welcome the recruiters, hoping that they will ‘get rid o' the troublemakers’. The town is in unrest, with striking miners rebelling against the forces of law and order: the Parson, the Constable, and the Mayor, who is also the mineowner. drama in 3 acts S: Northern English mining town, 1879 C: 13m, 2fSerjeant Musgrave arrives with three soldiers, Sparky, Attercliffe, and Hurst, in a northern mining town, apparently recruiting for the army. A: John Arden Pf: 1959, London Pb: 1960 G: Pol.
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